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All the Prize Winners in International Artist magazine Challenge No.122, People & Figures
Issue 138, Page 6All the Prize Winners in International Artist magazine Challenge No. 110, Abstract/Experimental Art
Issue 126, Page 4All the Prize Winners in International Artist magazine Challenge No. 89, Still Life
Issue 105, Page 4All the Prize Winners in International Artist magazine Challenge No. 100, Landscapes
Issue 116, Page 4All the Prize Winners in International Artist magazine Challenge No. 111, Seascapes, Rivers & Lakes
Issue 127, Page 4All the Prize Winners from International Artist magazine, Challenge No. 90, People and Figures
Issue 106, Page 4All the Prize Winners in International Artist magazine Challenge No. 101, Florals & Botanicals
Issue 117, Page 4This issue we present work from the Colored Pencil Society of America and the UK Coloured Pencil Society.
Issue 42, Page 15This issue we present work from The Transparent Watercolor Society of America, Oil Painters of America, The Ontario Society of Artists, The Western Federation Watercolor Society, Watercolor USA
Issue 46, Page 15This issue we present work from Southern Watercolor Society Watercolor Art Society - Houston Arizona Watercolor Association Pastel Society of Colorado
Issue 45, Page 19This issue we present the major prize winners from the American Watercolor Society's annual competition.
Issue 38, Page 15This issue we present work from International Guild of Realism Connecticut Pastel Society Colored Pencil Society of America San Diego Watercolor Society
Issue 44, Page 19The Canadian Institute of Portrait Artists, The Western Federation of Watercolor Societies and the American Women Artists.
Issue 39, Page 15Society of Wildlife Artists 41st Annual Exhibition
Issue 41, Page 15The Florida Watercolor Society and The Colored Pencil Society of America present their award winners
Issue 10, Page 10A series by one of the world's best loved and most traveled artists.
Issue 34, Page 146A new series by one of the world's best loved and most traveled artists.
Issue 33, Page 142The rugged, ever-changing landscapes of the North of England are a constant multi-coloured inspiration.
Issue 11, Page 82Li Yichun infuses his paintings with his knowledge and feeling of the scene
Issue 119, Page 100See why Gerard Mortier has been called the ambassador of France's Opal Coast.
Issue 8, Page 136Joke Frima's nature-themed still lifes are often painted directly from studio setups
Issue 127, Page 64For his complex still life compositions, Greg Mort often finds himself building models and dioramas to enhance his paintings.
Issue 103, Page 68In her series Weightless, Anne-Marie Kornachuk aims to show complex emotions through layering and scumbling
Issue 92, Page 78Marco Grasso achieves realistic wildlife art by focusing on color, light and composition
Issue 138, Page 76Adventuring into the mountains allows DJ the chance to experience the landscape firsthand
Issue 128, Page 54Part 2 Gerald Brommer examines what stimulates creative expression and production
Issue 90, Page 78On returning to watercolour, Martin Taylor has experimented with developing a transformational new style.
Issue 76, Page 102Intense yet harmonious colors and extreme value contrasts, draw your eye into the secret beauty of Jerusalem.
Issue 40, Page 60
Ruben Astudillo on Art, Identity and the Power of Self-Portraits
Issue 160, Page 24 Read ArticlePatrick Cahill, Thomas Ryan, Patricia Jorgensen, Nancy Larchet, Pauline Doyle, George Oakley, Terence O'Connell
Issue 14, Page 102Heidi Willis sifted through her mind's flip file of images to revisit one that just begged to be painted
Issue 86, Page 98Certain issues have the power to generate intense feeling. This is one of them.
Issue 4, Page 22Susan Harrison-Tustain pushes watercolor beyond preconceived limitations
Issue 78, Page 110Part 7: The need to paint versus the need to sell.
Issue 32, Page 156In Part Six of his series, Master Artist Daniel Greene alerts us to the problems some supports introduce into the painting process and tells us which ones work best
Issue 65, Page 34Why gallery owners and artists should put on their thinking caps.
Issue 13, Page 119Gokhan Anlagan, Toto Bonnano, Birol Kutadgu, Yilmaz Merzifonlu, Mehmet Guler, Firdavsi Feyzullah
Issue 9, Page 74For the observant artist there's a good chance that where there's light there's inspiration.
Issue 40, Page 112This artist shows how to use watercolor to paint realism and shares some still life composition secrets that help achieve the desired result.
Issue 53, Page 86Michael Sass recommends you get to know your materials better, if you want the best results.
Issue 76, Page 110Meticulous planning allows Ginny Page to paint cohesive and dynamic compositions
Issue 126, Page 66After enjoying many pursuits Lesley Lambert finally opted for oil painting
Issue 67, Page 58
Harley Brown’s fascinating things no one else will tell you
Issue 152, Page 122 Read Article