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' Issue #5
Accept no substitutes

Someone else's interpretation of art won't do. You'll simply have to stand in front of the real thing.

Issue 5, Page 8
' Issue #23
Access to the hearts and minds of the world's leading portrait artists as they prepare for The Art of the Portrait Convention in Philadelphia.

Jacob Collins, William Draper, Glenna Goodacre, Daniel Greene, Everett Raymond Kinstler, Richard Schmid, Burton Silverman, George Weymouth, Jamie Wyeth

Issue 23, Page 32
' Issue #55
Accounting for your art Part 27

Accounting is an important part of your art business. Keeping good records of your financial affairs will save you time and money in the long run.

Issue 55, Page 21
' Issue #148
Accurate Perspectives

Pablo Rubén begins his watercolors with a precise but basic drawing to establish proper perspective

Issue 148, Page 92 Read Article Visit Gallery Website
' Issue #142
Accurate Renderings

Through gradually adding layers of color, Alan Woollett captures the realistic forms and feathers of birds

Issue 142, Page 102 Read Article
' Issue #115
Achieving Atmosphere

The pastel paintings of Alberto Piedra Fernández have strong atmosphere that is both realistic and artistic

Issue 115, Page 102
' Issue #70
Across the Outback with My Paintbox Fishermens' Huts

Earlier this year John Lovett left his home and studio in South East Queensland to take an extended trip across outback Australia which will end on the Margaret River in Western Australia

Issue 70, Page 136
' Issue #69
Across the Outback with My Paintbox

Earlier this year John Lovett left his home and studio in South East Queensland to take an extended trip across outback Australia which will end on the Margaret River in Western Australia

Issue 69, Page 140
' Issue #71
Across the Outback with My Paintbox Wet and Windy

John Lovett left his home and studio in South East Queensland to take an extended trip across outback Australia which ended on the Margaret River in Western Australia

Issue 71, Page 136
' Issue #74
Acrylics in the Mist

Mark Hobson uses fog and mist to separate areas of detail in the focal point from less important areas of the composition.

Issue 74, Page 80
' Issue #137
Acting Chair's Letter

Issue 137, Page 34
' Issue #56
Add drama with bold colour and heavy texture

By working on a number of pieces at a time this artist draws comparisons and experiments with new creative ideas.

Issue 56, Page 70
' Issue #25
Adding body color to watercolors

Before you ask the Watercolor Police to take her away for committing sacrilege, try thinking outside the watercolor box.

Issue 25, Page 68
' Issue #52
Adjust your vision

This plein air artist describes how seeing your subjects in a new way can help determine their essence.

Issue 52, Page 84
' Issue #79
Adjusting your Subject

John Lovett shows you how to rearrange your subject to achieve a better composition

Issue 79, Page 136
' Issue #98
Advance Practice in Art

Understanding, Light, Value and Color, Part I

Issue 98, Page 52
' Issue #99
Advance Practice in Art

Understanding Light, Value and Color, Part 2

Issue 99, Page 44
' Issue #100
Advance Practice in Art

The Sky is the Limit - Understanding Warm/Cool Theories

Issue 100, Page 44
' Issue #101
Advance Practice in Art

Deconstructing Color Constancy and Value Perception - Part 1

Issue 101, Page 44
' Issue #102
Advance Practice in Art

Deconstructing Color Constancy and Value Perception - Part 2

Issue 102, Page 42
' Issue #103
Advance Practice in Art

Deconstructing Color Constancy and Value Perception - Part 3

Issue 103, Page 42
' Issue #84
Advancing the School of Automotive Art

Trevor Neal's fetish for fine cars has inspired his unique, adventurous interpretations of a specialty art form

Issue 84, Page 106
' Issue #100
Advocate for Peace

Behind the scenes of the latest signature work by Z.S. Liang slated for a new 2015 auction.

Issue 100, Page 56
' Issue #39
Aesthetics - the core of all good works of art

Creating meaningful, intriguing paintings

Issue 39, Page 44
' Issue #50
Aesthetics based on sound traditional principles and solid technique

While many artists today concentrate on subject and content, this artist holds to the belief that the subject is merely a vehicle for self expression

Issue 50, Page 98
' Issue #51
Aesthetics based on sound traditional principles and solid technique

This artist continues his advice on paint application and virtuosity as the mainstays of art.

Issue 51, Page 32
' Issue #145
Against the Grain

Working gradually and meticulously, Linda Lucas Hardy creates her colored pencil art using the dry brush technique

Issue 145, Page 90 Read Article
' Issue #144
Agile & Precise

Sandra Bartels moves swiftly between pastels and pastel pencils, focusing separately on each area of her subject

Issue 144, Page 76 Read Article
' Issue #81
Airplane Sketches

John Lovett shows you how to be productive even on long haul international flights

Issue 81, Page 136
' Issue #29
Al Hirschfeld - The line king

Tom Donahue interviewed this legendary artist in his New York studio.

Issue 29, Page 32
' Issue #10
Alan Bruce, Brent Heighton, janice Robertson, Hazel Harvey, Kuba Bryzgalski, Andres Bohake, Jean-Paul Lapointe, Lois Dierlam and Roland Palmaerts

Issue 10, Page 110
' Issue #18
Alchemy - turning a painting into a poem

This Chinese artist says making a painting look realistic is easy but making a painting with all the depth and emotion of a poem is Art. By Li Shan

Issue 18, Page 120
' Issue #136
Alex Venezia: Of Love and Longing

Issue 136, Page 36
' Issue #56
All about people

This artist likes to think that artists, like their paintings, are always a work-in progress.

Issue 56, Page 46
' Issue #113
All about yellow

John Lovett explains the pros and cons of yellows of varying tones

Issue 113, Page 118
' Issue #3
All my own work

An enterprising Australian artist starts her own gallery in the middle of nowhere. This is why and how she did it.

Issue 3, Page 102
' Issue #102
All the Prize Winners in International Artist magazine, Challenge No. 86, Abstract/Experimental Art

Issue 102, Page 4
' Issue #45
All the Prize Winners in our International Artist magazine Challenge No 29 Still Life & Florals

Issue 45, Page 6
' Issue #60
All the Prize Winners in our Challenge International Artist Magazine Challenge No 44 Flowers & Gardens

Issue 60, Page 8
' Issue #61
All the Prize Winners in our Challenge International Artist magazine Challenge No 45 Seascapes, Rivers & Lakes

Issue 61, Page 4
' Issue #57
All the Prize Winners in our Challenge International Artist magazine Challenge No 41 Still Life & Florals

Issue 57, Page 4
' Issue #70
All the Prize Winners in our Challenge International Artist Magazine Challenge No 54 People & Figures

Issue 70, Page 4
' Issue #53
All the Prize Winners in our International Artist magazine Challenge No 37 Landscapes

Issue 53, Page 4
' Issue #55
All the Prize Winners in our International Artist magazine Challenge No 39 Seascapes, Rivers & Lakes

Issue 55, Page 4
' Issue #58
All the Prize Winners in our International Artist magazine Challenge No 42 People & Figures

Issue 58, Page 4
' Issue #62
All the Prize Winners in our International Artist magazine Challenge No 46 Favorite Subjects

Issue 62, Page 4
' Issue #63
All the Prize Winners in our International Artist magazine Challenge No 47 Still Life & Florals

Issue 63, Page 4
' Issue #65
All the Prize Winners in our International Artist magazine Challenge No 49 Landscapes

Issue 65, Page 4
' Issue #66
All the Prize Winners in our International Artist magazine Challenge No 50 Flowers & Gardens

Issue 66, Page 4
' Issue #69
All the Prize Winners in our International Artist magazine Challenge No 53 Still Life & Florals

Issue 69, Page 4