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Issue 42, Page 4
Issue 43, Page 4
Issue 91, Page 4
This new group's mission is to put itself on the international art map. Here they reveal the 20 Plein Air Truths.
Issue 44, Page 56Billy Seccombe shares his tips for working on a nontraditional surface
Issue 108, Page 96Part 3: Presenting a unified message.
Issue 32, Page 138One of this world-traveler's favorite places is Venice, and in this article he shows us how to capture its vibrant and dramatic charm.
Issue 30, Page 144Lessons in Watercolor Part 11 - How to Paint a Prize-Winning Painting
Issue 122, Page 108Pastel Perspectives, Part 1 - Painting the foreground and grasses
Issue 112, Page 110Pastel Perspectives, Part 3 – Field Sketches – Quick Cloudscapes, Outdoors
Issue 114, Page 124The progression of a masterpiece by Howard Terpning - possibly the last at this large size - embraces the passion of Saving of America's Mustangs Foundation and the preservation of these majestic horses.
Issue 76, Page 76From perfecting setups to photographing each element, Daniel K. Tennant meticulously readies for his still life paintings
Issue 93, Page 118Driven by the beauty and intricacy of the wilderness, Pollyanna Pickering traveled into some of the most remote and inhospitable parts of the world, to study and paint endangered species in their increasingly fragile habitats
Issue 69, Page 108This artist finds this technique ideal for capturing an immediate response to an image.
Issue 59, Page 46A review of the annual The Art of the Portrait conference.
Issue 92, Page 29Robert Wells records places around him in sketchbooks, finding unique vantage points that help design his cityscapes
Issue 95, Page 96Remembering the life and legacy of portrait artist Everett Raymond Kinstler
Issue 128, Page 44Follow this artist's journey through her travel diary and paintings.
Issue 56, Page 110For Guy Combes, the life of wildlife painting begins in the field
Issue 86, Page 40