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John Lovett explains how using a CMYK color palette can inform your artwork
Issue 137, Page 94Time, practice, and experimentation with subject matter have helped Colley Whisson develop and enhance his oil paintings
Issue 101, Page 68The key role of perspective devices in John L Hammond's cityscapes.
Issue 16, Page 68Cheryl O decided to re-do an old painting in an abstract "wet and wild style" as a departure from its former realistic evolution
Issue 89, Page 76Writing copy or sales literature is not too difficult if you remember a few pointers
Issue 91, Page 128Issue 10, Page 138
Using a blend of pastel and colored pencil, Sally Edmonds emphasizes her feathered subjects against plain backdrops
Issue 151, Page 98 Read Article Visit Gallery WebsiteA tribute to Richard Schmid in celebration of the 20th anniversary of his boo, Alla Prima II
Issue 123, Page 46This renowned watercolorist describes three unique approaches. to painting.
Issue 15, Page 54Using a black underpainting, Jed Dorsey shares the advantages and joys of working from dark to light
Issue 140, Page 64 Read ArticleBill Vuksanovich views design as the quintessential concept of art
Issue 88, Page 38Glenn Rudderow - David Graeme Baker; Joel Babb - Chung Shil Adams; Larry Francis - Frank DePascale; Robert Douglas - HunterSergio Roffo; Sidney Hurwitz - Andrew Raftery; David Lowrey - Sam Vokey; Richard Raiselis - Sedrick Huckaby; Susan Stephenson - Nathan Lewis
Issue 33, Page 18This artist paints interiors that frequently lack figures but always powerfully convey the people who gave the room its character.
Issue 46, Page 106In his figurative and architectural watercolors, Mario Andres Robinson applies glazes methodically
Issue 104, Page 96This artist likes close cropping, a sweeping foreground and luscious, broken color.
Issue 35, Page 88Jeremy Mann explains how he experiments and transfers techniques across subjects and approaches.
Issue 103, Page 58Paula Henchell works in a very realistic manner, but her approach to her subject is based on asbtract design
Issue 91, Page 94Noted New York artist Daniel Greene talks about his shift towards a new theme of carnivals and games.
Issue 57, Page 34Are you feeling bogged down in the same old medium or style?
Issue 40, Page 120View the subject as a puzzle of shapes with values, edges and colors that bump up against each other. Find the most obvious element and then relate everything else to that.
Issue 23, Page 22Landscape artist Nicki Ault approaches her paintings by building up layers of acrylics and oils
Issue 156, Page 98 Read Article Visit Gallery WebsiteThe Bennett Prize gives women figurative realists a chance to shine on a monumental scale
Issue 156, Page 42 Read ArticleMurals may not be everyone's cup of tea, but they sure present a challenge
Issue 6, Page 52This award winning artist uses real talent and experience to create eye-popping appeal with colored pencil.
Issue 55, Page 62Condensing and simplifying values allows Aldo Balding to achieve realistic, painterly effects
Issue 149, Page 62 Read ArticleRecently, Kerry Brooks has taken an interest in pulling lights out of dark backgrounds
Issue 93, Page 112Thomas Paquette demonstrates how artists can utilize iterations to explore a range of possibilities in their work
Issue 141, Page 44 Read ArticleIssue 35, Page 15
This issue we feature The Oil Painters of America and Great Britain's 1st Royal Institute of Painters in Water Colours Exhibition.
Issue 33, Page 15This issue we feature winners from the AWS, the Watercolor Society of Huston and the Sun Herald Camberwell Rotary Art Show.
Issue 32, Page 15This issue The Canadian Society of Painters in Water Colour, The Central Ontario Art Association, Pastel Society of Eastern Canada, National Watercolor Society (USA), Allied Artists of America, Catharine Lorillard Wolfe Art Club, Pastel Artists of Ontario Canada and the Federation of Canadian Artists.
Issue 30, Page 16