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We Better Shape Up & On the Edge of Reality
Issue 122, Page 54Simplification & Standing Back to Assess My Work
Issue 124, Page 46Knowledge is Power, Get Educated & Hard Work Never Hurt Anyone
Issue 125, Page 48Compositional Devices & Editing & Eliminating
Issue 121, Page 54Colour My World & Making Your Mark
Issue 123, Page 70All the winners from the annual Art of the Portrait conference
Issue 92, Page 34We put truly International artist, Robert Wade of Australia on the spot by asking him 20 leading questions.
Issue 4, Page 6There's no need for meticulous detail in your work.
Issue 43, Page 78A master seascape painter explains the best tactics and the common mistakes.
Issue 20, Page 64Use the 4 watercolor fundamentals that can help you enjoy artistic freedom.
Issue 46, Page 116Discover 5 essential strategies (including putting the right price on your artwork) for making more money.
Issue 46, Page 126John Paul Thornton tells us about his use of five tangible elements: the placement, value, color, edge-quality and texture of his paint
Issue 67, Page 50If your work is beginning to look stale, then perhaps it's time to consider these six fundamentals.
Issue 39, Page 68Why a simple message is the one most likely to be remembered and understood.
Issue 20, Page 72Starting with a focal point, Diann Reicherts-Lemmen will build up a painting layer by layer then add details
Issue 102, Page 80Tired of painting the same old subject? This artist breaks the mould.
Issue 56, Page 148Tips and expert advice on selecting styles that will best complement your art
Issue 145, Page 22 Read ArticleThe new art book celebrating the work of Morgan Weistling features the artist's unmistakable brand of storytelling.
Issue 124, Page 60Sadie Jernigan Valeri explores the art of Danielle Richard
Issue 87, Page 36Up Close with The Art of the Portrait Faculty
Issue 119, Page 42Up Close with The Art of the Portrait Faculty, Part II
Issue 120, Page 36