Past Issues
Issue #95 February / March 2014
In This Issue
The magazine for artists by artists from around the world.
| 4 |
International Prize Winners All the Prize Winners in International Artist magazine Challenge No. 79, Seascapes, Rivers & Lakes |
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| 19 |
Call for Entries Entry form for International Artist magazine's Challenge No. 81, Still Life. Or you can enter using digital printouts and online! |
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| Departments | ||
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| 23 |
Leverage Applying new business tactics may help magnify your efforts toward increased sales and interest by Graeme Smith |
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| Columns | ||
| 24 |
A Day in the Life of an Artist: Ellen Eagle A series where we take a look into the lives of some of the world's most noted artists. by Wendy Caporale |
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| The Art of the Portrait | ||
| 28 |
Chairman's Letter |
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| 30 |
Face-to-Face With the 2014 The Art of the Portrait Faculty by Christine Egnoski |
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| Columns | ||
| 38 |
Station Points Tips & Insights from James Gurney Two Artists Paint a Blacksmith Shop |
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| 42 |
Part 15 Lines This final column by award-winning, all-media artist Bill James discusses an important element of art-line. |
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| 46 |
Finding His Way Jeremy Lipking has discovered his subject matter and is exploring it deeper than ever before by Joshua Rose |
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| 56 |
West of Modern Logan Maxwell Hagege shares his simplistic approach to his 2014 Masters of the American West signature piece Mesa Drifters by John Geraghty |
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| United States | ||
| 66 |
Collaborating on Concepts Husband-and-wife Hans and Beth (de Loiselle) Guerin constantly push one another leading to new and challenging projects |
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| 76 |
Composition, Value and Placement Using a set of fundamental principles, Teresa Oaxaca shares how to create works of art that will hold a viewer's attention |
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| 82 |
From On Site to the Studio By beginning with a plein air painting and reference photos, Elaine Lisle expands her pieces into detailed large-scale studio works |
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| 90 |
Supporting the Original Version Beginning each painting with a specific goal, Aaron Westerberg comgines elements that help support and enhance his ideas |
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| United Kingdom | ||
| 96 |
An Architectural Perspective Robert Wells records places around him in sketchbooks, finding unique vantage points that help design his cityscapes |
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| New Zealand | ||
| 104 |
Painting Workshop New Zealand artist Richard Robinson critiques some student paintings from his online workshop and demonstrates key points with his own painting |
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| Canada | ||
| 108 |
Juxtaposing Elements Artist Josh Tiessen is inspired by nature's naturally occurring contrasts for his works that showcase a limited palette with edge lighting |
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| Brazil | ||
| 116 |
Creating the Illusion of Depth with Lost and Found Edges Working wet-in-wet, Fabio Cembranelli shares techniques for shape definition in watercolour compositions |
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| Australia | ||
| 124 |
Regions of Suggestion By using suggestion and subtlety, John Lovett allows viewers to actively interpret his paintings |
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| Departments | ||
| 138 |
Discovering Art: The Making of an Artist Part 51 Saturation Changes in Shadows and Evening Sentinels. by Barry John Raybould |
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| 140 |
Important Principles of Art Harley Brown's fascinating things no one else will tell you. |
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