Past Issues
Issue #94 December / January 2014
In This Issue
The magazine for artists by artists from around the world.
| 4 |
International Artist Prize Winners All the Prize Winners in International Artist magazine Challenge No. 78, Abstract/Experimental |
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| 19 |
Call for Entries Entry form for International Artist magazine's Challenge No. 80, Favorite Subjects. Or you can enter using digital printouts and online! |
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| Departments | ||
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| 25 |
Methods to Gain Exposure Is exposure all that's needed to start people talking? by Graeme Smith |
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| Columns | ||
| 26 |
A Day in the Life of an Artist: Sherry Camhy A series where we take a look into the lives of some of the world's most noted artists. by Wende Caporale |
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| The Art of the Portrait | ||
| 30 |
Chairman's Letter |
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| 32 |
Master Showcase |
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| 34 |
Paul Newton The Story of a Once in a Lifetime Project Interview by Christine Egnoski |
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| 38 |
The Flesh of the Matter An interview with Sharon Sprung by Krystle Stricklin |
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| Columns | ||
| 40 |
Station Points Tips & Insights from James Gurney Designing Australia's Dinosaur Stamps |
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| 44 |
Part 14 Shape and Space Readers are in for a treat in the months to come as you enjoy this regular column by award-winning all-media artist Bill James. |
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| 48 |
Stimulation, Part 16
Exploration = Stimulation by Gerald Brommer |
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| 54 |
Art Discussion Topics by Alex Powers |
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| 60 |
Finding the Internal Melody Master artist David Leffel discusses art, movement and melody with International Artist magazine by Joshua Rose |
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| 68 |
Creating Complexity Daniel J. Keys finds clarity and vision for his compositionally-driven still life paintings |
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| United States | ||
| 72 |
Painting to Evoke Mood During the past year, Mia Bergeron has been working to evoke mood by using minimal information in her paintings |
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| 80 |
Working with a Limited Pallete Artist Elaine Hahn begins with a palette of three colors and white and black when creating her highly realistic paintings |
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| Canada | ||
| 88 |
Keeping Portraits Fresh When beginning each portrait, Albert Slark considers the situation in front of him including colour, location and lighting |
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| United States | ||
| 96 |
KC Collins Capturing Atmosphere and LIght |
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| 98 |
Brent Jensen Plein Air Strategies |
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| 100 |
Loren DiBenedetto Compose a Natural Setup |
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| Canada | ||
| 102 |
Kingsley Owen Composition Stages |
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| New Zealand | ||
| 104 |
Painting Workshop New Zealand artist Richard Robinson critiques some student paintings from his online workshop and demonstrates key points with his own painting |
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| Canada | ||
| 108 |
Maintain Artistic Identity MaryAnn Bidder stays true to herself as an artist by using a small brush and adding details to her watercolours |
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| Bulgaria | ||
| 116 |
Combination of Techniques Atanas Matsoureff brings together multiple techniques in his watercolours including wet-on-wet and drybrush |
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| Australia | ||
| 122 |
Exploring the Colour Black John Lovett explores the use of black in watercolours |
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| Sweden | ||
| 126 |
Johannes Wessmark Aspects of Photorealism |
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| Departments | ||
| 138 |
Discovering Art: The Making of an Artist Part 50 Perspective Brushwork and First Light in St. Mark's Square, Venice by Barry John Raybould |
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| 140 |
Important Principles of Art Harley Brown's fascinating things no one else will tell you |
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