Issue #137 February / March 2021
In This Issue
The magazine for artists by artists from around the world.
International Prize Winners
All the Prize Winners in International Artist magazine Challenge No. 121, Still Life
Call for Entries
Entry form for International Artist magazine's Challenge No. 123, Wildlife. Or your can enter using digital printouts and online!
Are there basic sales steps?
by Graeme Smith
Beyond the Palette with Scottsdale Artists' School
A conversation with artist and instructor Derek Penix
Art Workshop Guide
Find art workshops all around the world
Tips & Insights form James Gurney TRIADS, Part 1: Plein Air Experiments
|The Art of the Portrait|
Acting Chair's Letter
'Be Still and Know'
The Art of Suchitra Bhosie
by Krystle Stricklin
by Brendan Johnston
Defining Your Creative Voice
Using three essential aspects of visual expression can help artist stay true to themselves
by Larry Moore
Mastering Still Life Painting
Part 4 -- Avoid the Anxiety of Painting Roses with the Easy Stage-by-Stage Process
by Kelli Folsom
Michael Lynn Adams blends beauty and curiosity to create his luminous still life paintings
Working with Color
Paul Baldassini explains how to use piles and puddles for color mixing and value matching
Light and Atmosphere
The luminist quality of Ray Ward's landscapes allows for drama, light and atmosphere to take center stage
Aparajita Sen's latest series of painting was inspired by climate change
Greg Hargreaves' abstract landscapes focus on a number of contrasts, including real versus abstract and man versus wild
A Different Approach
John Lovett explains how using a CMYK color palette can inform your artwork
Join artist Kathleen Dunphy in capturing the light in the foothills of the magnificent Sierra Nevada mountains.
Virtual Art Academy
Making Grays & Isola del Tino, Cinque Terre, Italy
by Barry John Raybould
Important Principles of Art
Harley Brown's fascinating things no one else will tell you