Past Issues
Issue #120 April / May 2018
In This Issue
The magazine for artists by artists from around the world.
| 4 |
International Prize Winners All the Prize Winners in International Artist magazine Challenge No. 104, Favorite Subjects |
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| 21 |
Call for Entries Entry from for International Artist magazine's Challenge No. 106, People & Figures. Or you can enter using digital printouts and online! |
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| Departments | ||
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| 25 |
Professional Artist: What is a Print? The ins and outs of reproducing prints from your art by Graeme Smith |
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| 26 |
Focus on Materials In each issue we examine some of the essential art materials available to practicing artists |
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| 27 |
Art Workshop Guide Find art workshops all around the world |
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| Columns | ||
| 28 |
Station Points Tips & Insights from James Gurney Court Report |
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| The Art of the Portrait | ||
| 34 |
Chairman's Letter |
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| 36 |
A Celebration Two Decades in the Making Up Close with The Art of the Portrait Faculty, Part II by Christine Egnoski |
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| 42 |
An oil demonstration with Anna Rose Bain |
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| Columns | ||
| 44 |
Artistic Elements - Part 1 Hit 'em with Drama by Robert Hagan |
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| 48 |
Behind the Face A portrait exhibition at the U.S. branch of Florence Academy of Art highlights the individual approaches to interpreting human emotions by John O'Hern |
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| United States | ||
| 54 |
Developing Color Sensibilities Understanding hue, chroma and value allows Veronica Winters to draw and paint expressive works of art |
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| 62 |
An Exploratory Approach Learning to trust his instincts has led Daryl Urig to a number of new series, methods and ideas |
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| Netherlands (Holland) | ||
| 68 |
Tjalf Sparnaay Reinterpreting reality |
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| United States | ||
| 72 |
Peter Campbell Investigating a scene |
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| United Kingdom | ||
| 76 |
Clare Shaughnessy Drawing emotions |
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| 80 |
Life and Movement Jenny Aitken advises on how understanding waves, tone and light on water creates a dynamic composition |
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| United States | ||
| 88 |
Color Pouring and Blending Lian Quan Zhen captures the impressions of a scene through his method of mixing pigments |
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| China | ||
| 98 |
An Artist's Journey How watercolourist Shan Hong found his artistic voice |
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| Australia | ||
| 110 |
Amanda Hyatt Lessons in Watercolour Part 9 - Light and Atmosphere |
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| 116 |
Getting Away from the Subject John Lovett shares his techniques for painting only the "important" elements of a scene |
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| 120 |
Amanda McLean Pastel Perspectives Part 9 - Ideas and Techniques |
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| Departments | ||
| 134 |
Painting Workshop New Zealand artist Richard Robinson critiques some student painting from his online workshop and demonstrates key points with his own painting |
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| 138 |
Discovering Art: The Making of an Artist Part 76 Squaring Off Forms & Shanghai at Night by Barry John Raybould |
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| 140 |
Important Principles of Art Harley Brown's fascinating thing no one else will tell you |
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