Past Issues
Issue #112 December / January 2017

In This Issue
The magazine for artists by artists from around the world.
4 |
International Prize Winners All the Prize Winners in International Artist magazine Challenge No. 96, Favorite Subjects |
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19 |
Call for Entries Entry form for International Artist magazine's Challenge No. 98, People & Figures. Or you can enter using digital printouts and online! |
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Departments | ||
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25 |
Professional Artist: Building Your Brand Insights on identifying, growing and promoting your brand by Graeme Smith |
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Columns | ||
26 |
Station Points Tips & Insights from James Gurney Rocky Mountain Adventure |
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The Art of the Portrait | ||
30 |
Chairman's Letter |
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31 |
The Mysterious Case of Portrait Study by Cecilia Beaux by Sam Knecht |
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34 |
Julio Reyes: Seeing the Extraordinary in the Ordinary by Christine Egnoski |
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38 |
Ricky Mujica A portrait in oil |
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Columns | ||
40 |
Myths of the West Arizona sculptor John Coleman make s a bold statement as a painter with his new collection of Native American Paintings by Michael Clawson |
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50 |
Connecting with a Client The challenges and compromises of commissioned artwork can lead to satisfying results |
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United States | ||
56 |
A Structured Approach Paul Baldassini discusses his methods to oil painting using a monochrome underpainting |
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United Kingdom | ||
64 |
Balancing Styles Tanya Achilleos Lock finds her creativity flourishes by working in both realistic and impressionistic styles |
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Italy | ||
74 |
Tanvi Pathare The surrounding world |
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United Kingdom | ||
78 |
The Call of the Sea Bob Brandt shares tips and techniques for painting the sea in all of its varying moods |
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United States | ||
84 |
Jennifer Bowman Colorful value changes |
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United Kingdom | ||
88 |
Innovative Perspectives Rob Piercy provides insight on painting high mountain landscapes with unique vantage points |
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Australia | ||
98 |
Amanda Hyatt Lessons in Watercolour, Part 1 - Introduction |
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United States | ||
100 |
Finding a Dynamic Composition Life observations and photo references guide Marcia Wegman to an ideal, attention-grabbing composition that entices viewers |
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Australia | ||
110 |
Amanda McLean Pastel Perspectives, Part 1 - Painting the foreground and grasses |
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Ireland | ||
114 |
Observations of Nature Robert Teeling uses his firsthand experiences |
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Departments | ||
124 |
Group Excursions John Lovett discusses the support provided by painting alongside a large group of artists |
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134 |
Painting Workshop New Zealand artist Richard Robinson critiques some student paintings from his online workshop and demonstrates key points with his own painting |
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138 |
Discovering Art: The Making of and Arist Part 68 Golden Section & Let Me See by Barry John Raybould |
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140 |
Important Principles of Art Harley Brown's fascinating things no one else will tell you |