Past Issues
Issue #111 October / November 2016
In This Issue
The magazine for artists by artists from around the world.
| 4 |
International Prize Winners All the Prize Winners in International Artist magazine Challenge No. 95, Seascapes, Rivers & Lakes |
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| 19 |
Call for Entries Entry form for International Artist magazine's Challenge No.97, Still Life. Or you can enter using digital printouts and online! |
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| Columns | ||
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| 24 |
Station Points Tips & Insights from James Gurney 10 Tips for Better Brushstrokes |
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| Departments | ||
| 28 |
Professional Artist: Common "Art Myths" A look at popular views of art and how to formulate your own path by Graeme Smith |
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| The Art of the Portrait | ||
| 30 |
Chairman's Letter |
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| 33 |
A Siberian Story: Anatoliy Movlyan - Arist, Teacher and Risk Taker by Olga Krimon |
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| 38 |
Master Showcase |
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| 40 |
Katherine McNenly A portrait in oil |
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| Columns | ||
| 42 |
Richard Schmidt: Remembering Lightness by By Joshua Rose |
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| 48 |
The Sketchbook: A Powerful Influence using a sketchbook as a tool in the creative process for studio paintings by Robert E. Wells |
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| Australia | ||
| 54 |
In Search of Something New Australian artist Colley Whisson is always looking for new and interesting things to say with his oil paintings |
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| United States | ||
| 66 |
Barbara Pence Conceptual ideas |
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| 70 |
Kim English Supporting a narrative |
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| New Zealand | ||
| 74 |
Energy of the Sea Using photographs and firsthand experience, Bari Duncan captures the movements of water |
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| Australia | ||
| 84 |
Details of Nature The watercolor paintings of Heidi Williams display all the intricate forms, shapes and colors of the natural world |
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| Poland | ||
| 92 |
Maja Wronska Drawing with watercolors |
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| Australia | ||
| 96 |
Perspective John Lovett shares his simple approach to a complex drawing tool |
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| United States | ||
| 100 |
The Importance of Composition and Value LaVone Sterling explains the significance of two essential elements in achieving a dynamic work of art |
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| 108 |
Blending Techniques In his wildlife paintings, Andrew Denman combines several artistic methods that allow for his distinct style to emerge |
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| 120 |
Pen & Ink Learning about Lines Janet A. Cook shares her method of line drawing that allows for a consistent outcome |
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| Departments | ||
| 134 |
Painting Workshop New Zealand artist Richard Robinson critiques some student painting from his online workshop and demonstrates key points with his own painting |
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| 138 |
Discovering Art: The Making of an Artist Part 67 Cool Light Warm Shadows, Warm Light Cool Shadows & Telluride Bakery by Barry John Raybould |
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| 140 |
Important Principles of Art Harley Brown's fascinating things no one else will tell you |
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