Past Issues
Issue #109 June / July 2016
In This Issue
The magazine for artists by artists from around the world.
| 4 |
International Prize Winners All the Prize Winners in International Artist magazine Challenge No. 93, Florals & Gardens |
|
| 19 |
Call for Entries Entry form for International Artist magazine's Challenge No. 95, Seascapes, Rivers & Lakes. Or you can enter using digital printouts and online! |
|
| Columns | ||
|---|---|---|
| 24 |
Station Points Tips & Insights from James Gurney Stuck Somewhere? Why Not Paint |
|
| Departments | ||
| 31 |
Professional Artist: A Call to Action Ask your clients for the sale by following these simple strategies by Graeme Smith |
|
| The Art of the Portrait | ||
| 32 |
Chairman's Letter |
|
| 34 |
Master Showcase |
|
| 36 |
Mary Whyte: Unseen Faces by Lindsey Alligood |
|
| 40 |
Dominic Avant An oil painting demonstration |
|
| Columns | ||
| 42 |
The Evolution of Artwork Advice and ideas to help guide the working process, form the development stage to production by Timothy W. Jahn |
|
| 54 |
Fables in the Gardens of the West Kim Wiggins imagines starry skies, open ranges and an American Eden in his Western paintings that are based on history and personal narrative by Joshua Rose |
|
| 64 |
Firsthand Knowledge James Morgan's wildlife and nature paintings are inspired by his experiences and observations of the environment by John Geraghty |
|
| 72 |
Keys to Emotional Response in Paintings by Victor Riesau |
|
| Canada | ||
| 76 |
Utilizing Plein Air References Sketches and photos from working on location aid Mostafa Keyahni in larger studio pieces |
|
| Norway | ||
| 80 |
Careful Planning Prior to starting a new painting, Jette van der Lende thoroughly thinks out her composition |
|
| New Zealand | ||
| 88 |
Using a Line Drawing for Composition Lines help guide Miranda Woollett throughout her painting process |
|
| United States | ||
| 96 |
Finding the Ideal Subject Warren Chang demonstrates his latest fieldworker painting, Lettuce Harvest |
|
| 100 |
Reflections and Refractions The still lifes of Marsha Chandler often contain shiny or glass objects that allow for a play of light and shapes |
|
| New Zealand | ||
| 110 |
Painting Layer by Layer Svetlana Orinko shares one of her three watercolour painting techniques, a wet-on-wet multilayered method |
|
| Australia | ||
| 118 |
Integrating Collage in Watercolours John Lovett explains how to add dimension and texture to watercolour paintings |
|
| France | ||
| 122 |
Capturing Atmosphere Wim Verhelst concentrates on shapes, values, color temperature, texture and edges to achieve the ideal atmosphere for his paintings |
|
| Departments | ||
| 134 |
Painting Workshop New Zealand artist Richard Robinson critiques some student paintings from his online workshop and demonstrates key points with his own painting |
|
| 138 |
Discovering Art: The Making of an Artist Part 65 Angular Transfer & Via Garibaldi, Venice by Barry John Raybould |
|
| 140 |
Important Principles of Art: Harley Brown's fascinating things no one else will tell you |
|
