Past Issues
Issue #108 April / May 2016

In This Issue
The magazine for artists by artists from around the world.
4 |
International Prize Winners All the Prize Winners in International Artist magazine, Challenge No. 92, Landscapes |
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19 |
Call for Entries Entry form for International Artist magazine's Challenge No. 94, Abstract/Experimental Art. Or you can enter using digital printouts and online! |
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Columns | ||
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24 |
A Day in the Life of An Artist: Bruno Lucchesi A series where we take a look into the lives of some of the world's most noted artists. by Wende Caporale |
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Departments | ||
31 |
Prfessional Artist: There is No Short Cut Building the path to successful gallery exhibitions by Graeme Smith |
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The Art of the Portrait | ||
32 |
Chairman's Letter |
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34 |
Master Showcase |
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36 |
Words of Wisdom from the 2016 Faculty, Part 2 by Christine Egnoski |
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40 |
Erica Norelius A charcoal drawing demonstration |
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Columns | ||
42 |
Station Points Tips & Insights from James Gurney On-the-Spot Surrealism |
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46 |
Views form Above Mark Laguë paints aerial perspectives of some of the world's most recognized cities and landmarks by John O'Hearn |
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United States | ||
56 |
The Importance of Light For more than 30 years, Tom Browning has focused on the handling of light in his Western scenes |
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64 |
Portraying Sunlight To paint the ideal lighting effects, Dean Larson starts his paintings slowly and finishes them fast |
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70 |
From Field to Studio Gathering source information is the vital first step for the artwork of Roger Dale Brown |
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Canada | ||
78 |
The Realist Tradition Daniel Brient's traditional art education has helped guide his paintings |
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88 |
Paint Your Passion The art of Maggie Caunt comes alive when she paints subjects she's passionate about |
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United States | ||
96 |
Aluminum Traffic Sign Portraits Billy Seccombe shares his tips for working on a nontraditional surface |
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Canada | ||
102 |
Using Salt with Watercolour To create unique texture in her watercolours, artist Wendy Mould uses slat to draw out pigments |
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Australia | ||
110 |
Making Shapes Work for You Insights from watercolourist John Lovett on how to modify and rearrange shapes |
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United States | ||
114 |
Capturing a Moment When inspiration strikes, Kathy Dana defines her attraction to the scene and uses that understanding throughout her painting process |
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Canada | ||
122 |
Connecting with Colour Abstract artist Chris Kazeil finds colour to be one of the most important elements of her painting process |
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Departments | ||
134 |
Painting Workshop New Zealand artist Richard Robinson critiques some student paintings from hos online workshop and demonstrates key points with his own painting |
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138 |
Discovering Art: The Making of an Artist Part 64 Mixing Vivid Colors Using Bases & Garrapata Surf by Barry John Raybould |
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140 |
Important Principles of Art Harley Brown's fascinating things no one else will tell you |