Past Issues
Issue #105 October / November 2015
In This Issue
The magazine for artists by artists from around the world.
| 4 |
International Prize Winners All the Prize Winners in International Artist magazine Challenge No. 89, Still Life |
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| 21 |
Call for Entries Entry form for International Artist magazine's Challenge No. 91, Wildlife. Or you can enter using digital printouts and online! |
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| Columns | ||
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| 26 |
A Day in the Life of an Artist: Abner Cope A series where we take a look into the lives of some of the world's most noted artists. by Wende Caporale |
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| The Art of the Portrait | ||
| 30 |
Chairman's Letter |
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| 32 |
Max Ginsburg: Painting the Streets of New York by Krystle Stricklin |
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| 36 |
Casey Childs: One Artist's Journey to Obtain Accuracy in a Multiple Figure Historical Narrative Painting |
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| Columns | ||
| 42 |
Station Points Tips & Insights from James Gurney Ten Tips for Success in Gouache |
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| 46 |
Preparing for Your Solo Show, Part 2 The Artist's Persepective by Daniel Maidman, with Lee Vasu |
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| 50 |
A Discussion on Various Art Topics by Alex Powers |
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| 56 |
The Mentoring Chain Four artists, linked through mentorship, explain the value of sharing techniques and insights by Craig Pursley |
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| 62 |
Sacred Symphonies Richard Schmid's newest painting continues his deep love for the connection between music and art by Joshua Rose |
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| United States | ||
| 66 |
Finding Interest through Surfaces Hebe Brooks explains how she enhances her artwork through vivid reflections, fabrics, environment and more |
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| 74 |
The Importance of Vision Moving beyond subject matter, Marta Crawford aims to connect with the viewers of her artwork |
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| Canada | ||
| 82 |
Working in Three Stages Bonnie Hamlin divides her painting process into three segments: creative energy, technical painting and instinctive balancing |
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| United Kingdom | ||
| 88 |
Derived from Direct Observation Oil painter David Sawyer explains how knowledge gained from plein air painting can enhance a work of art |
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| United States | ||
| 98 |
Central Focus Points Randy Van Dyck's paintings start with the title as concept, then the focal imagery develops into an unexpected play on words |
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| Canada | ||
| 106 |
A Combination of Techniques Marney-Rose Edge's floral watercolors merge methods, such as wet-on-wet, wet-on-dry and glazing between layers |
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| Australia | ||
| 116 |
Hyper Transparency John Lovett explains how to amplify transparency throughout contrasts with areas of flat opacityq |
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| United Kingdom | ||
| 120 |
Incorporating Modern Technology Kevin Butters' paintings derive from sketches and photos, sometimes using computer software to work out aspects of the composition |
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| Departments | ||
| 128 |
Profession Artist: Can you make money on the Web? Insights on how to monetize your online presence by Graeme Smith |
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| 134 |
Painting Workshop New Zealand artist Richard Robinson critiques some student paintings from his online workshop and demonstrates key points with his own painting |
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| 138 |
Discovering Art: The Making of an Artist Part 61 Thin Darks and Thick Lights & Just Grandma and Me by Barry John Raybould |
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| 140 |
Important Principles of Art Harley Brown's fascinating things no one else will tell you |
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