Past Issues
Issue #105 October / November 2015

In This Issue
The magazine for artists by artists from around the world.
4 |
International Prize Winners All the Prize Winners in International Artist magazine Challenge No. 89, Still Life |
|
21 |
Call for Entries Entry form for International Artist magazine's Challenge No. 91, Wildlife. Or you can enter using digital printouts and online! |
|
Columns | ||
---|---|---|
26 |
A Day in the Life of an Artist: Abner Cope A series where we take a look into the lives of some of the world's most noted artists. by Wende Caporale |
|
The Art of the Portrait | ||
30 |
Chairman's Letter |
|
32 |
Max Ginsburg: Painting the Streets of New York by Krystle Stricklin |
|
36 |
Casey Childs: One Artist's Journey to Obtain Accuracy in a Multiple Figure Historical Narrative Painting |
|
Columns | ||
42 |
Station Points Tips & Insights from James Gurney Ten Tips for Success in Gouache |
|
46 |
Preparing for Your Solo Show, Part 2 The Artist's Persepective by Daniel Maidman, with Lee Vasu |
|
50 |
A Discussion on Various Art Topics by Alex Powers |
|
56 |
The Mentoring Chain Four artists, linked through mentorship, explain the value of sharing techniques and insights by Craig Pursley |
|
62 |
Sacred Symphonies Richard Schmid's newest painting continues his deep love for the connection between music and art by Joshua Rose |
|
United States | ||
66 |
Finding Interest through Surfaces Hebe Brooks explains how she enhances her artwork through vivid reflections, fabrics, environment and more |
|
74 |
The Importance of Vision Moving beyond subject matter, Marta Crawford aims to connect with the viewers of her artwork |
|
Canada | ||
82 |
Working in Three Stages Bonnie Hamlin divides her painting process into three segments: creative energy, technical painting and instinctive balancing |
|
United Kingdom | ||
88 |
Derived from Direct Observation Oil painter David Sawyer explains how knowledge gained from plein air painting can enhance a work of art |
|
United States | ||
98 |
Central Focus Points Randy Van Dyck's paintings start with the title as concept, then the focal imagery develops into an unexpected play on words |
|
Canada | ||
106 |
A Combination of Techniques Marney-Rose Edge's floral watercolors merge methods, such as wet-on-wet, wet-on-dry and glazing between layers |
|
Australia | ||
116 |
Hyper Transparency John Lovett explains how to amplify transparency throughout contrasts with areas of flat opacityq |
|
United Kingdom | ||
120 |
Incorporating Modern Technology Kevin Butters' paintings derive from sketches and photos, sometimes using computer software to work out aspects of the composition |
|
Departments | ||
128 |
Profession Artist: Can you make money on the Web? Insights on how to monetize your online presence by Graeme Smith |
|
134 |
Painting Workshop New Zealand artist Richard Robinson critiques some student paintings from his online workshop and demonstrates key points with his own painting |
|
138 |
Discovering Art: The Making of an Artist Part 61 Thin Darks and Thick Lights & Just Grandma and Me by Barry John Raybould |
|
140 |
Important Principles of Art Harley Brown's fascinating things no one else will tell you |