Past Issues

Issue #103 June / July 2015

Page 1
Issue 103

In This Issue

The magazine for artists by artists from around the world.

4 International Prize Winners
All the Prize Winners in International Artist magazine Challenge No. 87 - Seascapes, Rivers & Lakes
19 Call for Entries
Entry form for International Artist magazine's Challenge No. 89, Still Life. Or you can enter using digital printouts and online!
24 A Day in the Life of an Artist: Kathy Fieramosca
A series where we take a look into the lives of some of the world's most noted artists.
by Wende Caporale
28 Chairman's Letter
30 Master Showcase
32 Bruno Lucchesi: Reflections of a Sculptor
by Krystle Stricklin
36 Kristy Gordon
A demonstration in oil
38 Station Points
Tips & Insights from James Gurney Light Spill and Lens Flare
42 Advance Practice in Art
Deconstructing Color Constancy and Value Perception - Part 3
by Tim Breaux
46 How to Get Into a Juried Art Show
Tips from Six Well-Known Jurors
by Sarah Love
52 In Retrospective
A discussion of British artist Alan Cotton's oeuvre and techniques.
by Patricia Crossley-Hayes
58 A Multifaceted Artist
Jeremy Mann explains how he experiments and transfers techniques across subjects and approaches.
United States
68 Interpreting Objects from Life
For his complex still life compositions, Greg Mort often finds himself building models and dioramas to enhance his paintings.
76 Capturing Emotions
Through storytelling, William A. Schneider paints figurative works with meaning and narrative.
84 Balancing a Painting
Working on multiple pieces at once, Laurence Saunois is able to step back and gain a new perspective as she works.
New Zealand
92 The Benefits of Painting in Series
Richard Robinson shares how painting the same scene multiple times allows for new ideas and exploration of technique
100 Derived from Within
The figurative work of Anny Wypych explores philosophical questions, moving from personal experiences to universal ideas.
United States
108 Making Colors Pop
Watercolorist Joyce K. Jensen shares her methods for painting brightly colored compositions.
116 Focal Points
John Lovett shares how to make focal points work for your painting.
120 Metalpoint
The Art of Metalpoint
Gordon Hanley shares his insights on how to draw in silver and gold.
128 Selling Your Artwork
Tips and strategies to become the best salesperson of your art.
by Graeme Smith
134 Painting Workshop
New Zealand artist Richard Robinson critiques some student paintings from his online workshop and demonstrates key points with his own painting.
138 Discovering Art: The Making of an Artist Part 59
Model the Form with Color & Knysna Lagoon
by Barry John Raybould
140 Important Principles of Art
Harley Brown's fascinating things no one else will tell you