Issue #103 June / July 2015
In This Issue
The magazine for artists by artists from around the world.
International Prize Winners
All the Prize Winners in International Artist magazine Challenge No. 87 - Seascapes, Rivers & Lakes
Call for Entries
Entry form for International Artist magazine's Challenge No. 89, Still Life. Or you can enter using digital printouts and online!
A Day in the Life of an Artist: Kathy Fieramosca
A series where we take a look into the lives of some of the world's most noted artists.
by Wende Caporale
Bruno Lucchesi: Reflections of a Sculptor
by Krystle Stricklin
A demonstration in oil
Tips & Insights from James Gurney Light Spill and Lens Flare
Advance Practice in Art
Deconstructing Color Constancy and Value Perception - Part 3
by Tim Breaux
How to Get Into a Juried Art Show
Tips from Six Well-Known Jurors
by Sarah Love
A discussion of British artist Alan Cotton's oeuvre and techniques.
by Patricia Crossley-Hayes
A Multifaceted Artist
Jeremy Mann explains how he experiments and transfers techniques across subjects and approaches.
Interpreting Objects from Life
For his complex still life compositions, Greg Mort often finds himself building models and dioramas to enhance his paintings.
Through storytelling, William A. Schneider paints figurative works with meaning and narrative.
Balancing a Painting
Working on multiple pieces at once, Laurence Saunois is able to step back and gain a new perspective as she works.
The Benefits of Painting in Series
Richard Robinson shares how painting the same scene multiple times allows for new ideas and exploration of technique
Derived from Within
The figurative work of Anny Wypych explores philosophical questions, moving from personal experiences to universal ideas.
Making Colors Pop
Watercolorist Joyce K. Jensen shares her methods for painting brightly colored compositions.
John Lovett shares how to make focal points work for your painting.
The Art of Metalpoint
Gordon Hanley shares his insights on how to draw in silver and gold.
Selling Your Artwork
Tips and strategies to become the best salesperson of your art.
by Graeme Smith
New Zealand artist Richard Robinson critiques some student paintings from his online workshop and demonstrates key points with his own painting.
Discovering Art: The Making of an Artist Part 59
Model the Form with Color & Knysna Lagoon
by Barry John Raybould
Important Principles of Art
Harley Brown's fascinating things no one else will tell you