Past Issue

Collaborating on Concepts

Husband-and-wife Hans and Beth (de Loiselle) Guerin constantly push one another leading to new and challenging projects

Composition, Value and Placement

Using a set of fundamental principles, Teresa Oaxaca shares how to create works of art that will hold a viewer's attention

From On Site to the Studio

By beginning with a plein air painting and reference photos, Elaine Lisle expands her pieces into detailed large-scale studio works

Supporting the Original Version

Beginning each painting with a specific goal, Aaron Westerberg comgines elements that help support and enhance his ideas

An Architectural Perspective

Robert Wells records places around him in sketchbooks, finding unique vantage points that help design his cityscapes

Painting Workshop

New Zealand artist Richard Robinson critiques some student paintings from his online workshop and demonstrates key points with his own painting

Juxtaposing Elements

Artist Josh Tiessen is inspired by nature's naturally occurring contrasts for his works that showcase a limited palette with edge lighting

Creating the Illusion of Depth with Lost and Found Edges

Working wet-in-wet, Fabio Cembranelli shares techniques for shape definition in watercolour compositions

Regions of Suggestion

By using suggestion and subtlety, John Lovett allows viewers to actively interpret his paintings

Chairman's Letter

Face-to-Face

With the 2014 The Art of the Portrait Faculty

Leverage

Applying new business tactics may help magnify your efforts toward increased sales and interest

Discovering Art: The Making of an Artist Part 51

Saturation Changes in Shadows and Evening Sentinels.

Important Principles of Art

Harley Brown's fascinating things no one else will tell you.