Past Issue
International Artist 109
June/July 2016
Subscribe Now Purchase a Copy of Issue 109 of International ArtistDemonstrations & Workshops
Utilizing Plein Air References
Sketches and photos from working on location aid Mostafa Keyahni in larger studio pieces
Careful Planning
Prior to starting a new painting, Jette van der Lende thoroughly thinks out her composition
Using a Line Drawing for Composition
Lines help guide Miranda Woollett throughout her painting process
Finding the Ideal Subject
Warren Chang demonstrates his latest fieldworker painting, Lettuce Harvest
Reflections and Refractions
The still lifes of Marsha Chandler often contain shiny or glass objects that allow for a play of light and shapes
Painting Layer by Layer
Svetlana Orinko shares one of her three watercolour painting techniques, a wet-on-wet multilayered method
Integrating Collage in Watercolours
John Lovett explains how to add dimension and texture to watercolour paintings
Capturing Atmosphere
Wim Verhelst concentrates on shapes, values, color temperature, texture and edges to achieve the ideal atmosphere for his paintings
The Art of the Portrait
Chairman's Letter
Master Showcase
Mary Whyte: Unseen Faces
Dominic Avant
An oil painting demonstration
Departments
Professional Artist: A Call to Action
Ask your clients for the sale by following these simple strategies
Painting Workshop
New Zealand artist Richard Robinson critiques some student paintings from his online workshop and demonstrates key points with his own painting
Discovering Art: The Making of an Artist Part 65
Angular Transfer & Via Garibaldi, Venice
Important Principles of Art:
Harley Brown's fascinating things no one else will tell you