Past Issue

Capturing the Motion of Waves

A visual understanding of her subject matter allows Karen Blackwood to paint realistic and dramatic ocean scenes

Using a Transparent Value Plan

Mary Maxam's background in watercolor painting translates into her oil compositions

Juxtaposing Styles

Using a blend of refined and loose brushstrokes, Adam Wexelblatt creates his own signature techniques

Capturing the Luminosity of White Flowers

Michele Van Maurik shares her insights on the importance of colour when painting white flowers

Eric Zener

Achieving an individual vision

Jerry Fresia

Assemblage of sensations

Rafe Terry

Graphic and contemporary

Interpretations of Realism

Li Yichun infuses his paintings with his knowledge and feeling of the scene

Amanda Hyatt

Lesson in Watercolour, Part 8 - Painting Faces

Watercolour Texture

John Lovett shares his approach of creating physical and visual texture in watercolours

Kim Lordier

Feeling the rhythm

Amanda McLean

Pastel Perspectives, Part 8 - Painting Holidays

Art Workshop Guide

Find art workshops all around the world

Chairman's Letter

A Celebration Two Decades in the Making

Up Close with The Art of the Portrait Faculty

An oil demonstration with Mary Saurer

Professional Artist: Question & Answer

How asking collectors questions can help you succeed in closing sales

Painting Workshop

New Zealand artist Richard Robinson critiques some student paintings from his online workshop and demonstrates key points with his own painting

Discovering Art: The Making of an Artist Part 75

Tertiary Color Harmonies & Esedra Giulio, Borghese Gardens, Rome

Important Principles of Art

Harley Brown's fascinating things no one else will tell you